| dc.contributor.author | Thompson, Seth | |
| dc.date.accessioned | 2017-02-15T11:29:31Z | |
| dc.date.available | 2017-02-15T11:29:31Z | |
| dc.date.issued | 2016 | |
| dc.identifier.citation | Thompson, S. (2016). Cultural Heritage and Spectacle: Painted and Digital Panoramic Re-Presentations of Versailles. Streetnotes, 25, 353-365. Retrieved from http://escholarship.org/uc/item/339598d3 | en_US |
| dc.identifier.issn | 2159-2926 | |
| dc.identifier.uri | http://hdl.handle.net/11073/8785 | |
| dc.description.abstract | By comparing and contrasting two panoramic projects of Versailles, one being a painted panorama by John Vanderlyn (1775-1852) completed in 1819 and the other, part of Google's World Wonders Project launched in 2012, this paper will examine the notion of heritage as a tangible entity, experiential consumable, and identity maker, and show how heritage sites and the panorama (both painted and digital) act as a spectacle that seeks to fulfill the needs and desires of its visitors to consume past and present cultural landscapes. | en_US |
| dc.language.iso | en_US | en_US |
| dc.publisher | University of California | en_US |
| dc.relation.uri | http://escholarship.org/uc/item/339598d3 | |
| dc.title | Cultural Heritage and Spectacle: Painted and Digital Panoramic Re-Presentations of Versailles | en_US |
| dc.type | Article | en_US |
| dc.type | Published version | en_US |
| dc.type | Peer-Reviewed | en_US |
