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dc.contributor.authorThompson, Seth
dc.date.accessioned2021-02-03T10:43:43Z
dc.date.available2021-02-03T10:43:43Z
dc.date.issued2021
dc.identifier.citationThompson, Seth. 2021. "Where Islamic Visual Theory and Western Pictorial Tradition Meet: 360° Panoramic Photography’s Two-Dimensional Image Projections and Sacred Spaces." International Panorama Council Journal 4: 27-32. [ISSN: 2571-7863] url: https://panoramacouncil.org/en/publications/.en_US
dc.identifier.issn2571-7863
dc.identifier.urihttp://hdl.handle.net/11073/21320
dc.description.abstractUsing this author's ongoing project Sacred Spaces of New England and Hans Belting's book Florence and Baghdad: Renaissance Art and Arab Science as starting points, this paper compares and contrasts Islamic visual theory with Western pictorial tradition and examines Islamic pattern design to root this author's 360° panoramic photography's two-dimensional geometric image projections of sacred spaces into an artistic tradition.en_US
dc.language.isoen_USen_US
dc.publisherInternational Panorama Councilen_US
dc.relation.urihttps://panoramacouncil.org/en/publications/
dc.subject360° Panoramic Imagingen_US
dc.subjectGeometryen_US
dc.subjectIslamic Geometric Pattern Designen_US
dc.subjectCultural Heritageen_US
dc.subjectMapping Projectionsen_US
dc.titleWhere Islamic Visual Theory and Western Pictorial Tradition Meet: 360° Panoramic Photography’s Two-Dimensional Image Projections and Sacred Spacesen_US
dc.typeArticleen_US
dc.typePublished versionen_US


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